(Ominous title, no? It's not like that, I swear.)
I have recently returned to my old bookworm ways. Grad school severely hindered my reading for pleasure habits. When I was living in Chicago and commuting by rail, I was in a reader's heaven. I had a solid two hours of daily reading to myself, if I could tune out the huddle masses in the train car. (Which, of course, any seasoned commuter via public transport can do.)
Reading for school and commuting by car almost destroyed my pleasure reading. About once a quarter, but probably less, I would gorge myself on a novel, putting off my homework and reading into the night. I would never quite regret it, although those binges always set me back. Since regaining my autonomy, I have been a little slow to return to my reading. Lately, though, I have rediscovered my voracious reading appetite, as evidenced by the rotating stack of books next to my bed.
I am currently house/cat sitting for friends of my parents and I took a lazy Sunday on their couch and read Kate Atkinson's latest, When Will There Be Good News? (Whose title I'm riffing on for this post.) It reunites her readers with her reluctant private detective, Jackson Brodie. He first turned up in Case Histories, the first Atkinson I read. This is his third book, and like the others, it is in no way a standard private eye story. People are lost and sought, but it feels less boxed in by the standard genre. Her Brodie books feel less like mysteries (though they are), and more like excellent stories that involve a mystery of some sort. They feel more like life than an Agatha Christie or a Raymond Chandler.
Her characters are all survivors of something tragic, an accident or a horrific murder. These stories are about moving forward through even more loss. Bad, nasty, sometimes random things happen to good people, but Atkinson tells us about the strength people find to move forward (or not). She does it all the while showing us the humor and absurdity in everyday life. Her books, especially the Jackson Brodie ones, are hard to put down. They always include several parallel stories lines end that up colliding in a satisfying way.
I really love Atkinson as a writer. Her voice is distinctively feminine and British. I've also read her first book, Behind the Scenes at the Museum, and Human Croquet, both of which employ a magical realist touch. I would suggest all of them.
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